Understocked or overkill?

Open Studios start tomorrow - two week-ends open to the public, and what I thought was tons of stock suddenly looks a bit..........pitiful. I mean, don't get me wrong, there's plenty (and boy, am I grateful for my tutorials in Making Jewellery magazine - without those, there'd be a lot less!) The question pops up so often 'how much stock?' Well, here's what I tried to do - whether it helps or not, I'm not sure:

First of all, I looked through everything, for items that I feel I've 'overtaken'. They're not bad or second class in any way, just designs I don't feel people would look at and say 'I know who made that' - those I put in a completely separate place, as sales items. Then I grouped things together, something I rarely have the space for at craft fairs: Hollow lace necklaces, rose necklaces, etc. It's fluke that they're in groups of three, but that looks good. Printing and laminating only one price and title for them shows customers they're a 'range', and they'll be quicker to pack up (no removal of tags). I need to take a photo of my hugely ingenious display feature, but I'll leave you guessing for now as to what it is.

The wedding range went into the display cabinet, since I don't really expect to sell a tiara off the cuff, but you never know :o) With rings, I made sure I have a few of each, though I didn't have time to make tons - hopefully, I'll be able to 're-stock as I go', since I'll be at the torch a lot of the time. So, the main ranges have a work surface all to themselves - which leaves only ne bit of surface area, which I'm using for leaflets for future markets I'll be at, maps to other artists a guest book, and the enforced 'evaluation form'. I'm really liking it - although I do wish we'd persevered and got a second light in.....if it's nasty outside, I might have to find space on the worktop for a light.

That's it........just need some sleep, and I'm ready to go.